Name: Second Sundays: June 2018
Start: 2018-06-10
End: 2018-06-10
Location: Pioneer Works

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PW Closure 10/25-10/26

Pioneer Works's galleries and garden are closed to the public on Friday, October 25th and Saturday, October 26th for the United Sounds NYC Festival 2024. 

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Own the Archive Sale

This week only, we’re heavily discounting our #PWPress publications to make way for new projects. Find artist-created books for $5, $10, & $15—sales raised from the PW Store are reinvested into funding new, ambitious projects by emerging and underrepresented artists and writers.

Gift Guide

From November 28 through December 14, take 20% off products in the Gift Guide with code: ULTRAFESTIVE. 

Ragas 

Pioneer Works will be closed for normal gallery hours this October 14 & 15 for Ragas Live Festival 2023, learn more 

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Please note, Pioneer Works will be closed for daily admissions until July 7th. We 

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Celebrate 10 years of Pioneer Works by shopping the PW Press Archive Sale! Through October 31, take 10% off Pioneer Works Press items with code 

Flash Flood Closures

Building Closures Due to Flash Floods

Due to weather conditions, Pioneer Works is suspending open gallery hours for Friday, September 29. MHYSA's performance has been rescheduled for Sunday, October 1, with all tickets being transferred to the new date.

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Shop the PW Store Spring Sale!

 for the entire month of April and receive an automatic 20% off books, records, apparel, and more. Members save 35%—learn more about membership 

Aura Closure 5/27

Please note:

 will close early at 5pm on Saturday, May 27. Learn more and plan your visit 

CEO Announcement

Just Announced: Pioneer Works Names Mara Manus Chief Executive Officer

The Board of Directors of Pioneer Works is pleased to announce that Mara Manus, former Executive Director for New York State Council on the Arts (NYSCA), has been appointed as the organization’s new Chief Executive Officer. 

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We're closed all day Friday, November 11 for our annual Village Fête Benefit. To learn more about the After Party and get tickets, visit 

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Our galleries and garden are closed to the public today for a United Sounds NYC Festival 2024. Learn more about the festival 

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In order to build programs that uphold our values and remain predominantly free and open to the public, we rely on our phenomenal community of supporters.

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We're pleased to announce the first major renovation of Pioneer Works! To accommodate the first phase of our construction, we're temporarily relocating to 133 Imlay Street opening in Spring 2022.

Early Closure 5/10/23

Due to programming, Pioneer Works will be closed to the public on Wednesday, May 10. We will be open from Thursday through Sunday for the remainder of the week. Learn more and plan your visit 

Thanksgiving Closure

Pioneer Works will be closed on 11/28 - 11/29 in observance of Thanksgiving and Native American Heritage Day.

Food and Beverage by The Good Fork, Dolce Brooklyn, and Pioneer Works Bar.

Second Sundays

Come early for <a href="https://pioneerworks.org/programs/gallery-dialogues-maia-cruz-palileo/">Gallery Dialogues with Maia Cruz Palileo</a> at 3pm.
Food and Beverage by The Good Fork, Dolce Brooklyn, and Pioneer Works Bar.
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June '18

Second Sundays is a free event series that engages Pioneer Works disciplines through live music, food, artists’ open studios, and interactive programs.

Pioneer Works, the astronomers of Columbia University, and the Amateur Astronomers Association of New York host various stargazing events. We welcomed thousands of New Yorkers into our garden for The Great American Eclipse and regularly bring our telescopes out for public viewing, including most Second Sundays.



Astronomy in the Pioneer Works Garden

Gerard &#038; Kelly: CLOCKWORK is a site-specific exhibition that expands on the artists&#8217; ongoing explorations of intimacy and domestic space within the legacies of modernist architecture. The show will include the premiere of a new performance piece specifically commissioned by Pioneer Works and performed every Saturday and Sunday for the entire run of the show.
*Join us at 6pm for a special performance of CLOCKWORK.

Gerard & Kelly: CLOCKWORK

Through a selection of paintings and drawings, Meandering Curves of a Creek highlights Maia Cruz Palileo&#8217;s artistic exploration of her personal identity, cultural heritage, and feelings of multiplicity as a Filipino-American.

Maia Cruz Palileo: Meandering Curves of a Creek

Utilizing the artistic style of agitprop activist propaganda, artist Demian DinéYazhi’ brings attention to ongoing acts of violence against indigenous bodies via posters and flyers made at Pioneer Works and Small Editions.

Demian DinéYazhi' and R.I.S.E.: Radical Indigenous Survivance & Empowerment: A Nation Is a Massacre 

Ka Baird is a multi-instrumentalist and vocalist living and working in NYC. She is one of the founding and continuing members of the experimental outfit Spires That In The Sunset Rise founded in Chicago in September 2001. Since relocating to NYC in November 2014, she has set off in numerous directions apart from Spires with new collaborations as well as honing in on her own solo work. She is interested specifically in performance/sound as a means to break reoccurring thought patterns in order to create passages into pure energy potential.

Ka has toured both nationally and internationally with performances at the Museum of Contemporary Art (Chicago), MoMA PS1 (Brooklyn), Roulette Intermedium (Brooklyn), Issue Project Room (Brooklyn), Fridman Gallery, Cafe OTO (London), and numerous festival appearances with Spires and solo including TUSK (Newcastle, UK), Incubate (Tilburg, Netherlands), KRAAK (Brussels, Belgium) and Festival Of Endless Gratitude (Copenhagen, DK) and is currently an Artist-In-Residence at Roulette Intermedium in Brooklyn, NY. Her latest album "Sapropelic Pycnic" was released in September of 2017 through Drag City Records.

&nbsp;

Ka Baird

Mary Helena Clark is an artist working in film, video, and installation. Her work uses the language of collage to explore dissociative states through cinema, bringing together disparate subjects and styles that suggest an exterior logic or code. Using the conventions of narrative, language, and genre, her films explore shifting subjectivities and the limits of the embodied camera. Clark’s work has recently been exhibited at DOCUMENT, Chicago; Künstlerhaus, Stuttgart, Germany; JOAN, Los Angeles; and the 2017 Whitney Biennial, New York; and at festivals including the International Film Festival Rotterdam, the New York Film Festival, the Toronto International Film Festival, and the Hong Kong International Film Festival.

&nbsp;

Mary Helena Clark

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation. 

Selected solo exhibitions include: The Trap, Gypsum Gallery, Cairo (2016); Stained Estate at Françoise Heitsch Gallery, Munich (2015); and Please Clear the Dance Floor, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, A Good Neighbour (2017); Spaceliner, Arter, Istanbul (2015); and No one belongs here more than you, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.

Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.

<img class="alignnone size-medium wp-image-5145" src="https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg" alt="" width="300" height="156" />

Gözde İlkin

Louis Fratino lives and works in Brooklyn, NY. He is currently making paintings and drawings that focus on homoerotic love. Figures and interiors are generated by mixing art historical references in an attempt to conjure feelings of intimacy. 

Fratino attended the Maryland Institute College of Art, graduating in 2015 with a degree in painting. He also attended the Yale Norfolk Summer School of Art and was awarded a Fulbright Research Fellowship to Berlin in 2016. He recently had a solo exhibition at Antoine Levi, Paris. Other exhibitions include Matisse + Fratino, Cabinet Printemps, Düsseldorf (2018); So I've got you, Thierry Goldberg, New York (2017); and Practice in Leisure, Galería Mascota, Mexico DF, (2017).

Louis Fratino

NIC Kay is from the Bronx. 

They currently occupy several liminal spaces. 

They are a person who makes performances and creates/organizes performative spaces. 

They are obsessed with the act and process of moving, the change of place, production of space, position, and the meaning gleaned from the shifting of perspective. 

Their current trans disciplinary projects explore movement as a place of reclamation. 

NIC has performed and shown work internationally and in The United States.

NIC Kay

Autumn Knight is an interdisciplinary artist working with performance, installation and text. Her work primarily addresses conventions of racial and gender identity, psychotherapy, and art access. She attended the Skowhegan School of Painting and Sculpture and holds an M.A. in Drama Therapy from New York University. Her performance work has been in exhibitions at various institutions including: DiverseWorks, Project Row Houses, and Blaffer Art Museum, all in Houston; Crystal Bridges Museum, Bentonville, Arkansas; Skowhegan Space, New York; The New Museum, New York; The Contemporary Art Museum, Houston; and most recently The Studio Museum in Harlem. Knight is from Houston, Texas, and is currently based in New York, NY.

Autumn Knight

Xin Liu (刘昕, born in<a href="https://www.google.com/maps/place/Karamay,+Xinjiang,+China/@42.7265109,82.3501495,5z/data=!4m13!1m7!3m6!1s0x3806008cfd7b4dab:0xa84116ec366707a1!2sXinjiang,+China!3b1!8m2!3d42.5246357!4d87.5395855!3m4!1s0x42a06a2eef16ea89:0xe6c3e6253f9024fc!8m2!3d45.5794451!4d84.8886108"> Xinjiang</a>, 1991) is an artist and engineer.

Xin creates experiences and artifacts to examine what makes subjectivities and affects, to actively participate in the paradigm shifts between technological advances and human experiences, to reconfigure the tools of technology for the recovery of human experiences. Her projects materialize as performances, apparatus, installations, scientific experiments, and academic papers. She has shown her work internationally at events and venues including Ars Electronica, Boston MFA, Sundance Film Festival, The Walker Art Center, OCAT Shanghai, and ISEA. As a researcher, Xin has worked in institutions including Microsoft Research NYC &amp; Asia and Google ATAP.

Xin Liu

Victoria Scott is a Canadian-born educator and visual artist, mainly a sculptor, working between physical materials, emotional energy and electronic media of many flavors. Her projects include constructing material representations of conceptual objects and images that exist in simulated digital environments, the public commons and in the space of cultural imagination. She is currently developing interactive Virtual Reality environments to visualize human energy fields and has just founded Imaginary Objects, a VR/AR company based in San Francisco. Victoria has exhibited throughout North America and Europe, and completed her MFA at the School of the Art Institute of Chicago.

We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.
Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

Victoria Scott

Ann tbd is an artist currently based in New York City. She creates strange and horrible new technologies to explore questions of identity and alienation. Her works combine organic and electronic materials—such as teeth, blood, and deconstructed circuitry—to evoke feelings of exposure and vulnerability.

Ann tbd

Hear a sound installation by resident Ka Baird in the music studio.

Sound Installation by Ka Baird in Studio

Learn how to create letterforms using simple geometric shapes called tans.

Tangram Types in the Design Lab

Friday Night Fashion Club presents their Spring 2018 fashion line: Designer Denim. Join them in the Classroom to see the debut of their custom upcycled denim jackets.

Designer Denim by Friday Night Fashion Club

Discover the wild plants that have migrated to Red Hook from Africa, the Middle East, and Asia during the long history of the neighborhood’s maritime industry. Join us to learn about the uses of these plants and honor their stories by making seed bombs to plant in your own neighborhood.

Wild, Weeds, and Medicine

Visit our newest tech residents Xin Liu, Victoria Scott, and ann tbd to see what they&#8217;ve been working on.

Tech  Lab / VE Lab Open Studios

Our in-house documentation team captures everything that happens at Pioneer Works––check out what they&#8217;re working on.

Media Lab Open Studios

What have we learned from science&#8217;s most infamous doctor-patient relationship? For the bicentennial of Frankenstein, seven animation teams worked with scientists, writers, engineers, physicists, and an archaeologist to create animated short films that explore the lasting impact of Mary Shelley&#8217;s famous work. This project was produced by Massive for Arizona State University in partnership with MIT Press and The Alfred P. Sloan Foundation. The films will run continuously in the Science Studios.

Reanimation!: Film Screening Celebrating the 200th Anniversary of Mary Shelley's Frankenstein

Corresponding to the movement of light across the floor at sunset, CLOCKWORK revolves around a “clock”—a set of gestures synced to the numbers on the face of an analogue clock (12 in front, 6 behind, etc.). Over time, the performance embodies a metronomic, meditative quality, connecting space and memory to temporalities outside of modern clock time.

CLOCKWORK performance 

Join the Amateur Astronomers Association of New York in the garden for an interactive look into the sky. *Weather permitting*

Solar and Star Gazing with Amateur Astronomers Association

Riobamba is an Ecuadorian-Lithuanian producer, DJ, and cultural activist based in Brooklyn. Riobamba’s rowdy, deeply researched live sets reflect back nightlife’s power as a site of joy and resistance, amplifying connective tissues between YouTube clips, dembow brujería, bodega soundtracks, and noise hyperreality.

Riobamba 

ss_June

Ka Baird is a multi-instrumentalist and vocalist living and working in NYC. She is one of the founding and continuing members of the experimental outfit Spires That In The Sunset Rise founded in Chicago in September 2001. Since relocating to NYC in November 2014, she has set off in numerous directions apart from Spires with new collaborations as well as honing in on her own solo work. She is interested specifically in performance/sound as a means to break reoccurring thought patterns in order to create passages into pure energy potential.

Ka has toured both nationally and internationally with performances at the Museum of Contemporary Art (Chicago), MoMA PS1 (Brooklyn), Roulette Intermedium (Brooklyn), Issue Project Room (Brooklyn), Fridman Gallery, Cafe OTO (London), and numerous festival appearances with Spires and solo including TUSK (Newcastle, UK), Incubate (Tilburg, Netherlands), KRAAK (Brussels, Belgium) and Festival Of Endless Gratitude (Copenhagen, DK) and is currently an Artist-In-Residence at Roulette Intermedium in Brooklyn, NY. Her latest album “Sapropelic Pycnic” was released in September of 2017 through Drag City Records.

Ka Baird is a multi-instrumentalist and vocalist living and working in NYC. She is one of the founding and continuing members of the experimental outfit Spires That In The Sunset Rise founded in Chicago in September 2001. Since relocating to NYC in November 2014, she has set off in numerous directions apart from Spires with new collaborations as well as honing in on her own solo work. She is interested specifically in performance/sound as a means to break reoccurring thought patterns in order to create passages into pure energy potential.
Ka has toured both nationally and internationally with performances at the Museum of Contemporary Art (Chicago), MoMA PS1 (Brooklyn), Roulette Intermedium (Brooklyn), Issue Project Room (Brooklyn), Fridman Gallery, Cafe OTO (London), and numerous festival appearances with Spires and solo including TUSK (Newcastle, UK), Incubate (Tilburg, Netherlands), KRAAK (Brussels, Belgium) and Festival Of Endless Gratitude (Copenhagen, DK) and is currently an Artist-In-Residence at Roulette Intermedium in Brooklyn, NY. Her latest album &#8220;Sapropelic Pycnic&#8221; was released in September of 2017 through Drag City Records.
&nbsp;

LiveInCoimbra

Mary Helena Clark is an artist working in film, video, and installation. Her work uses the language of collage to explore dissociative states through cinema, bringing together disparate subjects and styles that suggest an exterior logic or code. Using the conventions of narrative, language, and genre, her films explore shifting subjectivities and the limits of the embodied camera. Clark’s work has recently been exhibited at DOCUMENT, Chicago; Künstlerhaus, Stuttgart, Germany; JOAN, Los Angeles; and the 2017 Whitney Biennial, New York; and at festivals including the International Film Festival Rotterdam, the New York Film Festival, the Toronto International Film Festival, and the Hong Kong International Film Festival.

Mary Helena Clark is an artist working in film, video, and installation. Her work uses the language of collage to explore dissociative states through cinema, bringing together disparate subjects and styles that suggest an exterior logic or code. Using the conventions of narrative, language, and genre, her films explore shifting subjectivities and the limits of the embodied camera. Clark’s work has recently been exhibited at DOCUMENT, Chicago; Künstlerhaus, Stuttgart, Germany; JOAN, Los Angeles; and the 2017 Whitney Biennial, New York; and at festivals including the International Film Festival Rotterdam, the New York Film Festival, the Toronto International Film Festival, and the Hong Kong International Film Festival.
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Clark_DelphiFalls_Bebe

clark_delphifalls_lake

Clark_DelphiFalls_Lake

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MHC-Jan-2018_Ligature

mhc-jan-2018-ligature

MHC-Jan-2018-Ligature

Mary-Helena-The Palm_install

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation.

 at Françoise Heitsch Gallery, Munich (2015); and 

, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, 

, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.

Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation. 
Selected solo exhibitions include: The Trap, Gypsum Gallery, Cairo (2016); Stained Estate at Françoise Heitsch Gallery, Munich (2015); and Please Clear the Dance Floor, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, A Good Neighbour (2017); Spaceliner, Arter, Istanbul (2015); and No one belongs here more than you, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.
Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.
<img loading="lazy" class="alignnone size-medium wp-image-5145" src="https://sunset.pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg" alt="" width="300" height="156" srcset="https://sunset.pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg 300w, https://sunset.pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey.jpg 610w" sizes="(max-width: 300px) 100vw, 300px" />

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03.Boys eat turkish delight_GI

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04.The Deficient Joint Gap_Inverted Home 2017_GI

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05.Temperate, Resentful and Nolens volens_ Inverted Home 2017_GI

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06.Inverted home_exhibition view_Pera Museum 2017_GI

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08.Ripper- Rooter 2015–GI

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07. Diplomacy_series from Rehearsal_GI

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09.Absent Demonstration 2017_GI

02.At home day 2010_ GI

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation. 
Selected solo exhibitions include: The Trap, Gypsum Gallery, Cairo (2016); Stained Estate at Françoise Heitsch Gallery, Munich (2015); and Please Clear the Dance Floor, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, A Good Neighbour (2017); Spaceliner, Arter, Istanbul (2015); and No one belongs here more than you, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.
Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.
<img loading="lazy" class="alignnone size-medium wp-image-5145" src="https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg" alt="" width="300" height="156" srcset="https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg 300w, https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey.jpg 610w" sizes="(max-width: 300px) 100vw, 300px" />

Louis Fratino lives and works in Brooklyn, NY. He is currently making paintings and drawings that focus on homoerotic love. Figures and interiors are generated by mixing art historical references in an attempt to conjure feelings of intimacy.

Fratino attended the Maryland Institute College of Art, graduating in 2015 with a degree in painting. He also attended the Yale Norfolk Summer School of Art and was awarded a Fulbright Research Fellowship to Berlin in 2016. He recently had a solo exhibition at Antoine Levi, Paris. Other exhibitions include 

, Cabinet Printemps, Düsseldorf (2018); 

Louis Fratino lives and works in Brooklyn, NY. He is currently making paintings and drawings that focus on homoerotic love. Figures and interiors are generated by mixing art historical references in an attempt to conjure feelings of intimacy. 
Fratino attended the Maryland Institute College of Art, graduating in 2015 with a degree in painting. He also attended the Yale Norfolk Summer School of Art and was awarded a Fulbright Research Fellowship to Berlin in 2016. He recently had a solo exhibition at Antoine Levi, Paris. Other exhibitions include Matisse + Fratino, Cabinet Printemps, Düsseldorf (2018); So I&#8217;ve got you, Thierry Goldberg, New York (2017); and Practice in Leisure, Galería Mascota, Mexico DF, (2017).

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They currently occupy several liminal spaces.

They are a person who makes performances and creates/organizes performative spaces.

They are obsessed with the act and process of moving, the change of place, production of space, position, and the meaning gleaned from the shifting of perspective.

Their current trans disciplinary projects explore movement as a place of reclamation.

NIC has performed and shown work internationally and in The United States.

NIC Kay is from the Bronx. 
They currently occupy several liminal spaces. 
They are a person who makes performances and creates/organizes performative spaces. 
They are obsessed with the act and process of moving, the change of place, production of space, position, and the meaning gleaned from the shifting of perspective. 
Their current trans disciplinary projects explore movement as a place of reclamation. 
NIC has performed and shown work internationally and in The United States.

ar2018_nic-kay_lil-blk_d855598_credit-ian-douglas-1

AR2018_NIC Kay_lil BLK_D855598_CREDIT IAN DOUGLAS (1)

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How We Carry, Container, The End is the Beginning (1)

screen-shot-2018-01-19-at-1-51-47-am-1

Screen Shot 2018-01-19 at 1.51.47 AM (1)

2017-12-16-nic-kay_60_david-gonsier-1

2017.12.16.NIC Kay_60_David Gonsier (1)

Photo1_NICKay_TCS_VolVII_170819_byCoreyMelton_ND4_0053

Autumn Knight is an interdisciplinary artist working with performance, installation and text. Her work primarily addresses conventions of racial and gender identity, psychotherapy, and art access. She attended the Skowhegan School of Painting and Sculpture and holds an M.A. in Drama Therapy from New York University. Her performance work has been in exhibitions at various institutions including: DiverseWorks, Project Row Houses, and Blaffer Art Museum, all in Houston; Crystal Bridges Museum, Bentonville, Arkansas; Skowhegan Space, New York; The New Museum, New York; The Contemporary Art Museum, Houston; and most recently The Studio Museum in Harlem. Knight is from Houston, Texas, and is currently based in New York, NY.

Autumn Knight is an interdisciplinary artist working with performance, installation and text. Her work primarily addresses conventions of racial and gender identity, psychotherapy, and art access. She attended the Skowhegan School of Painting and Sculpture and holds an M.A. in Drama Therapy from New York University. Her performance work has been in exhibitions at various institutions including: DiverseWorks, Project Row Houses, and Blaffer Art Museum, all in Houston; Crystal Bridges Museum, Bentonville, Arkansas; Skowhegan Space, New York; The New Museum, New York; The Contemporary Art Museum, Houston; and most recently The Studio Museum in Harlem. Knight is from Houston, Texas, and is currently based in New York, NY.

artadiapresentation3

Xin creates experiences and artifacts to examine what makes subjectivities and affects, to actively participate in the paradigm shifts between technological advances and human experiences, to reconfigure the tools of technology for the recovery of human experiences. Her projects materialize as performances, apparatus, installations, scientific experiments, and academic papers. She has shown her work internationally at events and venues including Ars Electronica, Boston MFA, Sundance Film Festival, The Walker Art Center, OCAT Shanghai, and ISEA. As a researcher, Xin has worked in institutions including Microsoft Research NYC & Asia and Google ATAP.

Xin Liu (刘昕, born in<a href="https://www.google.com/maps/place/Karamay,+Xinjiang,+China/@42.7265109,82.3501495,5z/data=!4m13!1m7!3m6!1s0x3806008cfd7b4dab:0xa84116ec366707a1!2sXinjiang,+China!3b1!8m2!3d42.5246357!4d87.5395855!3m4!1s0x42a06a2eef16ea89:0xe6c3e6253f9024fc!8m2!3d45.5794451!4d84.8886108"> Xinjiang</a>, 1991) is an artist and engineer.
Xin creates experiences and artifacts to examine what makes subjectivities and affects, to actively participate in the paradigm shifts between technological advances and human experiences, to reconfigure the tools of technology for the recovery of human experiences. Her projects materialize as performances, apparatus, installations, scientific experiments, and academic papers. She has shown her work internationally at events and venues including Ars Electronica, Boston MFA, Sundance Film Festival, The Walker Art Center, OCAT Shanghai, and ISEA. As a researcher, Xin has worked in institutions including Microsoft Research NYC &amp; Asia and Google ATAP.

Xin-1Credit-Rob_Chron

Victoria Scott is a Canadian-born educator and visual artist, mainly a sculptor, working between physical materials, emotional energy and electronic media of many flavors. Her projects include constructing material representations of conceptual objects and images that exist in simulated digital environments, the public commons and in the space of cultural imagination. She is currently developing interactive Virtual Reality environments to visualize human energy fields and has just founded Imaginary Objects, a VR/AR company based in San Francisco. Victoria has exhibited throughout North America and Europe, and completed her MFA at the School of the Art Institute of Chicago.

We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.


Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

Victoria Scott is a Canadian-born educator and visual artist, mainly a sculptor, working between physical materials, emotional energy and electronic media of many flavors. Her projects include constructing material representations of conceptual objects and images that exist in simulated digital environments, the public commons and in the space of cultural imagination. She is currently developing interactive Virtual Reality environments to visualize human energy fields and has just founded Imaginary Objects, a VR/AR company based in San Francisco. Victoria has exhibited throughout North America and Europe, and completed her MFA at the School of the Art Institute of Chicago.
We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country. 
Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

res_Victoria Scott-MushroomHunt

Ann tbd is an artist currently based in New York City. She creates strange and horrible new technologies to explore questions of identity and alienation. Her works combine organic and electronic materials—such as teeth, blood, and deconstructed circuitry—to evoke feelings of exposure and vulnerability.

Ann tbd is an artist currently based in New York City. She creates strange and horrible new technologies to explore questions of identity and alienation. Her works combine organic and electronic materials—such as teeth, blood, and deconstructed circuitry—to evoke feelings of exposure and vulnerability.